Ssss, Radio And Juliet

Tijuana Krizman’s Juliet isn’t Shakespeare’s nice soul but a girl with some spunk. During a love duet with Romeo , she bats at his jacket, considered one of several moments between them that ring true. Rather than tragic romance, Mr. Clug emphasizes the awkwardness of adolescent attraction. In a dance to Radiohead, the twitches may be partly justified as punctuation, acknowledgment of the beat.
This is meant to symbolize that love and romance have been affected by “the chilly hand of mechanization.” Common movements embrace the arching of the torso, the bending of the wrists paired with elbow motions, and stabbing motions of the feet and legs. The choreography contains twitching and jerking motions which give the appearance of robots on stage. texas country radio stations near me and Juliet, choreographed by Edward Clug and carried out by the West Australian Ballet, completely pairs Radiohead’s music with a recent interpretation of Shakespeare’s most well-known love story. If the ubiquitous glow of iPhones held aloft had been present, you’d be excused for thinking that a rock live performance, not a ballet, had taken over His Majesty’s Theatre.
The scenes are structured in a way so that the characters move in a series of steps. First, they start with head actions, then the physique lifts, then the characters weave in and out one another where pairing and partnered dancing takes place. This is similar for the ultimate scene of the dance, Juliet executes slight head twitches over Romeo’s lifeless physique. This is supposed to represent that love and romance have been affected by “the cold hand of mechanization.” Common actions embrace the arching of the torso, the bending of the wrists paired with elbow motions, and stabbing motions of the ft and legs. A band who embody the sound of turn-of-millennium anxiety might not be the obvious alternative for an early fashionable romance, however provided that Shakespeare’s play is also a narrative of devastating gang warfare, Clug’s dystopian vision starts to make sense.
Throughout the ballet, there could be one Juliet dancing with multiple Romeos, symbolizing the in the end male world during which she resides. Radiohead’s pre-recorded music takes centre stage for the efficiency. Eleven of their songs are carefully curated to create an atmospheric, haunting, and despairing tone.
He drastically strips everything back – story, set (there isn’t one), costumes, context, even the love. This leaves the music to provide simmering unease, palpitating rhythm and a way of processing in path of doom. The ballet begins on the story’s end, with a grief-stricken Juliet – danced fantastically by West Australia’s personal Brooke Widdison-Jacobs – selecting not to take her personal life. From there, the performance takes a Quentin Tarantino-esque flip, leaping again to the tale’s beginning.
Francois’ brother invites Romeo to join his band, which is as a outcome of of play at Juliet and Francois’ wedding ceremony. Shakespeare tells Anne that Juliet didn’t take heed to Romeo’s side of occasions, to which Anne counters that that is important to her and that she feels Shakespeare cares more about his plays than his household. She breaks his quill, meaning that neither of them can make any additional adjustments to the story. Angelique and Lance are revealed to have spent the night together. She was previously the nurse to his kids, and Lance asks her to return back and live with him. Angelique needs to stay to look after Juliet, however Lance reminds her that Juliet is in her 20s and may take care of herself (“Teenage Dream/Break Free”).
And even at this early stage in the piece, the angle and the narrative starts to feel uncomfortable. The unanticipated pairing of indie rock and ballet was a pleasant surprise. Radiohead’s music gave the play new life, with their atmospheric tone setting the scene for a riveting ballet. The highlight of the evening was Widdison-Jacobs’ duet with Lehmann, set to Kid A‘s “How to Disappear Completely”. The song’s mournful tone foreshadows the doomed nature of their relationship, and is completely captured of their on-stage chemistry, as their bodies intertwine in a present of athletic elegance.